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Correspondence Erika Patka, VALIE EXPORT

[VEC.004.612] - Voice & Void - Vorträge — Curation

The Voice as a Medium

The voice as a medium, as a carrier of information, and as a political issue has been explored by VALIE EXPORT since the 1960s and has been translated into various formats defined by the artist: as a multi-channel video installation, as a body communication action and extended film, as a performance, and also as an intermedia theater play. This selection of sketches, notes, and catalog contributions documents a period of approximately 40 years. Content-wise it is about the power of the voice, used and abused by people in influential (political) positions. Not least, however, it is also about the self-empowerment of women who raise their voices to make their concerns and demands heard and who exercise self-determination.

[VEC.004.484] - Das Reale und sein Double: Der Körper — Curation

Virtual Bodies

Based on her large collection of material on the history of the body, in the 1990s VALIE EXPORT developed an essayistic script for a documentary film that encompassed the history of culture, art, and science, artificial intelligence, the dimensions of the virtual, and with forays into the fictional and the literary. In the draft script, these building blocks were interwoven with VALIE EXPORT’s own works, for her engagement with body rituals and inscriptions in the body in a world that is increasingly technicized and virtualized has been the subject of VALIE EXPORT’s artistic work ever since the 1960s. It was intended to realize this work titled Der virtuelle Körper. Vom Prothesenkörper zum postbiologischen Körper [The Virtual Body: From the Prosthetic Body to the Postbiological Body] in Austrian Television’s series ORF Kunststücke; however, despite years of preliminary work it was never made due to budget constraints. This script, which has been thoroughly reworked and edited, is now available: a project that the VALIE EXPORT Center Linz realized in collaboration with the Neuer Berliner Kunstverein NBK and VALIE EXPORT.

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Současná světová fotografie ze sbírky Musea moderního umění nadace Ludwig Vídeň John Baldessari ... [16. dubna 1992 - 17. května 1992] = Zeitgenössische Photographie : aus der Sammlung des Museums moderner Kunst, Stiftung Ludwig Wien John Baldessari ... [16. April 1992 - 17. Mai 1992]

Journal Clipping

Die moderne Frau als Warenbild

Sperl, Gerfried

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Recodings art, spectacle, cultural politics

Foster, Hal

Correspondence Erika Patka, VALIE EXPORT, Christine Nöstlinger

[VEC.002.394] - [Vorarbeit zu Orthogonale Raumvektoren / TWI-TOPON] — Photography

[Vorarbeit zu Orthogonale Raumvektoren [Orthogonal Space Vectors] / TWI-TOPON]

Newspaper Clipping

Label "AUSSTELLUNG"

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Machines de Tinguely exposition réalisée par le Centre National d'Art Contemporain, 12 mai-5 juillet 1971

Tinguely, Jean

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Jenny Holzer - Lustmord [... anlässlich der Ausstellung: Jenny Holzer. Lustmord, Kunstmuseum des Kantons Thurgau, 22. September 1996 bis 27. April 1997]

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Zwanzig Kölner Galerien zeigen Kunst von 1939 bis heute 29. Mai bis 15. August 1981

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Resolution a critique of video art

Podesta, Patti

[VEC.000.001.K] - Bewegte Bilder über sich bewegende Personen — Curation

Expanded Cinema

VALIE EXPORT has been developing Expanded Cinema actions since 1968 which rely equally on an active screen and an active audience, and open up the field of vision through technical resources in such a way that both cinema and the medium itself as an independent entity are dissolved. “Expanded Cinema, the expanded film, was also about using the medium to represent and break up power structures, as they said back then: to decode, to deconstruct.” VALIE EXPORT, “Austria im Rosennetz”, Der Standard, 18.10.1996. The Expanded Cinema 1 showcase assembles materials about cinematic, actionist, and technological reflections on the expanded concept of the screen and provides insights on this artistic field.

Correspondence Jacqueline Passever, Andreas Puff-Trojan

Passever, Jacqueline

Correspondence Claudine Eizykman, Erika Patka

Eizykman, Claudine

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Vor einem Bild

Didi-Huberman, Georges

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Tomorrow - today curated by_vienna 11/09 - 17/10/2015

Correspondence Reinhard Kofler, VALIE EXPORT

Kofler, Reinhard

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Museum deutsch/english = Museon

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Elfriede Jelinek und Valie Export Rezeption der feministischen Avantgarde Österreichs im deutschsprachigen Feuilleton

Lamb-Faffelberger, Margarete

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Lund art press

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Translation, transformation

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Women and film

[VEC.001.189] - Pönologie — Photography (Study, Documentation)

Pönologie

VALIE EXPORT

Newspaper Clipping

Mit Wortwalze über Bildwelt

Steiner, Ulrike

Correspondence Robert Fleck, [Monika] Faber, VALIE EXPORT

Fleck, Robert; Faber, [Monika]; VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Das Selbstporträt des Jürgen Bartsch

Bartsch, Jürgen

Karin Hanta, "Exporting Export", in: Austria Kultur, Vol. 10, Nr. 1/2000, Jan/Feb 2000

Correspondence Sabine Scholl [?], Eva Beuys

Scholl, Sabine [?]

[VEC.003.371] - Drehbuch Reste Perf.[ektes] Paar — Script Material

Drehbuch Reste Perf.[ektes] Paar [Lust]

VALIE EXPORT

[VEC.004.541] - Xmas. a project by The Department for Public Appearances — Invitation

Xmas. a project by The Department for Public Appearances

[VEC.002.538] - Internationales Performance Festival 1978 — Information

Internationales Performance Festival 1978

[VEC.001.378] - Dreieck mit Bogen — Photography (Study, Documentation)

Dreieck mit Bogen

VALIE EXPORT

Correspondence Mike Parr, VALIE EXPORT

[VEC.001.330] - ANFÜGUNG — Photography (Study, Documentation)

ANFÜGUNG [Fitting In]

VALIE EXPORT

Correspondence VALIE EXPORT, Manfred Leve

Newspaper Clipping

Poeten, Schwätzer und Schockierer

Schwabeneder, Franz

Tanzquartier Wien, brut; FEEDBACK 4th edition; April 2017

Correspondence Dorothee Vohl, VALIE EXPORT

Vertrag zwischen Kathrin Ziemke und Limbo Film

Newspaper Clipping

Armseliges Unterfangen

Böhm, Liesbeth

Journal Clipping

Das Interview. Vorspann / Co-Op. Die Austria Filmmakers Cooperative schreibt euch

[VEC.001.410] - ohne Titel — Photography (Study, Documentation)

ohne Titel [no title]

VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Natalia LL sztuka i energia : Muzeum Narodowe we Wrocławiu, 8 XII 1993 - 27 I 1994 = Natalia LL : art and energy

Lach-Lachowicz, Natalia

Newspaper Clipping

Rückblicke auf ein Jahrzehnt der Umschichtung. Zur Eröffnung der 39. Biennale in Venedig

[VEC.005.006] - KUNST MIT EIGEN-SINN. International exhibition of contemporary art by women in t — Curation

The Artist as Curator

VALIE EXPORT’s collaborative curatorial projects have focused on raising the visibility of female artists from all fields. Two examples are MAGNA. Feminismus: Kunst und Kreativität. Ein Überblick über die weibliche Sensibilität, Imagination, Projektion und Problematik, suggeriert durch ein Tableau von Bildern, Objekten, Fotos, Vorträgen, Diskussionen, Lesungen, Filmen, Videobändern und Aktionen, zusammengestellt von VALIE EXPORT, 1975 [MAGNA. Feminism: Art and Creativity. A Survey of Female Sensibility, Imagination, Projection, and Problematics, as evoked by a tableau of images, objects, photographs, lectures, discussions, readings, films, videotapes, and actions that was assembled by VALIE EXPORT] in 1975, and Kunst mit Eigen-Sinn. Aktuelle Kunst von Frauen [Art with a Sense of Its Own Self-will: Contemporary Art by Women], initiated by VALIE EXPORT in 1985 and realized together with cocurator Silvia Eiblmayr at the Museum of the 20th Century in Vienna (now renamed Belvedere 21). Both exhibitions continue to constitute milestones in the history of women in art and society.

Correspondence Erika Patka, Helga Gallas