Startpage - Archiv VALIE EXPORT Center

[VEC.005.006] - KUNST MIT EIGEN-SINN. International exhibition of contemporary art by women in t — Curation

The Artist as Curator

VALIE EXPORT’s collaborative curatorial projects have focused on raising the visibility of female artists from all fields. Two examples are MAGNA. Feminismus: Kunst und Kreativität. Ein Überblick über die weibliche Sensibilität, Imagination, Projektion und Problematik, suggeriert durch ein Tableau von Bildern, Objekten, Fotos, Vorträgen, Diskussionen, Lesungen, Filmen, Videobändern und Aktionen, zusammengestellt von VALIE EXPORT, 1975 [MAGNA. Feminism: Art and Creativity. A Survey of Female Sensibility, Imagination, Projection, and Problematics, as evoked by a tableau of images, objects, photographs, lectures, discussions, readings, films, videotapes, and actions that was assembled by VALIE EXPORT] in 1975, and Kunst mit Eigen-Sinn. Aktuelle Kunst von Frauen [Art with a Sense of Its Own Self-will: Contemporary Art by Women], initiated by VALIE EXPORT in 1985 and realized together with cocurator Silvia Eiblmayr at the Museum of the 20th Century in Vienna (now renamed Belvedere 21). Both exhibitions continue to constitute milestones in the history of women in art and society.

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

25 quadri della Collezione Cavellini [mostra a domicilio - primavera 1976] = 25 paintings from the Cavellini Collection : living-room exhibition - spring 1976 = 25 Bilder aus der Sammlung Cavellini : Ausstellung frei Haus - Frühjahr 1976

Cavellini, Guglielmo Achille

Tanzquartier Wien. Programm Jan/Feb 2017

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Haushaltsbericht ... / Hochschule der Bildenden Künste Saar

Hochschule der Bildenden Künste Saar

Valie Export lehnt Oskar-Kokoschka-Preis ab

[VEC.004.608] - THE PAIN OF UTOPIA. DER SCHMERZ DER UTOPIE — Information

THE PAIN OF UTOPIA. DER SCHMERZ DER UTOPIE

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Gina Pane travail d'action Galerie Isy Brachot, Paris, 13.3.-26.4.1980

Pane, Gina

[VEC.004.696] - 100 Jahre Republik. Kinoresonanzen — Invitation

100 Jahre Republik. Kinoresonanzen

[VEC.004.711] - [Umschlag mit 20-Schilling Design] — Invitation

[Envelope with a 20-Schilling design]

Valie Export: "Es ist zur Zeit schwer, Österreicher zu sein"

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Sind es Frauen? Roman über das dritte Geschlecht

Wettstein-Adelt, Minna

Newspaper Clipping

Das Brot der frühen Jahre

Grzonka, Patrizia

Newspaper Clipping

Nacktes in der Manege

Jürgs, Michael

[VEC.004.746] - Frauen, Kunst und Macht. Drei Frauen aus dem Hause Habsburg [Schloss Ambras. Jah — Program

Frauen, Kunst und Macht. Drei Frauen aus dem Hause Habsburg [Schloss Ambras. Jahresübersicht 2018]

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Die Wiener Gruppe Kunsthalle Wien, 13. 11. 1998 - 21. 2. 1999 [Friedrich Achleitner, H. C. Artmann, Konrad Bayer, Gerhard Rühm, Oswald Wiener]

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Art press

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Art of the electronic age

Popper, Frank

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

The dinner party a symbol of our heritage

Chicago, Judy

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Hans Schabus - das letzte Land La Biennale di Venezia, 51. Esposizione Internazionale d'Arte, Österreichischer Pavillon [Katalog, ... erscheint zu "Das letzte Land / The last land / L'ultima terra" von Hans Schabus ... 12. Juni - 6. November 2005] = Hans Schabus - the last land

Correspondence Thomas Schmitt, Brigitte Jaul

Schmitt, Thomas

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Was ist Dichtung? = Qu'est-ce que la poésie? = Che chos' è la poesia? = What is poetry?

Derrida, Jacques

[VEC.001.357] - ohne Titel [Detail] — Photography (Study, Documentation)

[no title (detail)]

VALIE EXPORT

[VEC.001.565] - O.T. 12.3. — Photography (Study, Documentation)

O.T. 12.3.

VALIE EXPORT

[VEC.000.943] - I (BEAT [IT]) 1978 — Work Description

I (BEAT [IT]) 1978

VALIE EXPORT

[VEC.004.612] - Voice & Void - Vorträge — Curation

The Voice as a Medium

The voice as a medium, as a carrier of information, and as a political issue has been explored by VALIE EXPORT since the 1960s and has been translated into various formats defined by the artist: as a multi-channel video installation, as a body communication action and extended film, as a performance, and also as an intermedia theater play. This selection of sketches, notes, and catalog contributions documents a period of approximately 40 years. Content-wise it is about the power of the voice, used and abused by people in influential (political) positions. Not least, however, it is also about the self-empowerment of women who raise their voices to make their concerns and demands heard and who exercise self-determination.

Festival International FEMMES/FILMS du 23 au 29 avril

Correspondence VALIE EXPORT, Seiser

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Santa Fe ein Drehbuch

Troller, Georg Stefan

Die verletzte Diva

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

The art of assemblage [The Museum of Modern Art, New York Oct. 2 - Nov. 12, 1961 The Dallas Museum for Contemporary Arts Jan. 9 - Feb. 11, 1962 San Francisco Museum of Art March 5 - April 15, 1962]

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Florentinische Bildhauer des Quattrocento

[VEC.001.494] - ROT — Photography (Study, Documentation)

ROT

VALIE EXPORT

[VEC.000.001.K] - Bewegte Bilder über sich bewegende Personen — Curation

Expanded Cinema

VALIE EXPORT has been developing Expanded Cinema actions since 1968 which rely equally on an active screen and an active audience, and open up the field of vision through technical resources in such a way that both cinema and the medium itself as an independent entity are dissolved. “Expanded Cinema, the expanded film, was also about using the medium to represent and break up power structures, as they said back then: to decode, to deconstruct.” VALIE EXPORT, “Austria im Rosennetz”, Der Standard, 18.10.1996. The Expanded Cinema 1 showcase assembles materials about cinematic, actionist, and technological reflections on the expanded concept of the screen and provides insights on this artistic field.

[VEC.003.454] - Ablaufplan "Im Wartesaal Baden-Baden - Treffen der Filmemacher" — Program

Ablaufplan "Im Wartesaal Baden-Baden - Treffen der Filmemacher"

[Press reviews on the so-called pornography process]

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Videonale 8 Internationales Video- und Medienkunstfestival

Videonale Bonn

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Internationaler Videokunstpreis = International award for video art

Newspaper Clipping

Geförderte Abnormalitäten und Fäkalkunst / Suventionen / Brutale Offenheit [Letters to the editor]

Böhm, Helmut; Jauch, Jürgen; Stenger, Gerhard

Correspondence Reinald Walter, Hans Preiner, [Zoltan] Pataky, VALIE EXPORT

Walter, Reinald

[VEC.004.714] - Artur Żmijewski. "Democracies" und andere Arbeiten — Invitation

Artur Żmijewski. "Democracies" und andere Arbeiten

[VEC.004.586] - Miryam Charim bittet zum Geburtstagsfest für VALIE EXPORT — Invitation

Miryam Charim bittet zum Geburtstagsfest für VALIE EXPORT

[VEC.004.602] - Mapping the City — Information

Mapping the City

Correspondence Mike Parr, VALIE EXPORT

[VEC.001.453] - O.T. 11.2. — Photography (Study, Documentation)

O.T. 11.2.

VALIE EXPORT

[VEC.001.260] - EINPASSUNG — Photography (Study, Documentation)

EINPASSUNG

VALIE EXPORT

Galerie im Taxispalais, Innsbruck

Newspaper Clipping

Lehrbuch der Körpersprache

Möseneder, Peter

Correspondence Ruth Beckermann, VALIE EXPORT

Beckermann, Ruth

[VEC.004.484] - Das Reale und sein Double: Der Körper — Curation

Virtual Bodies

Based on her large collection of material on the history of the body, in the 1990s VALIE EXPORT developed an essayistic script for a documentary film that encompassed the history of culture, art, and science, artificial intelligence, the dimensions of the virtual, and with forays into the fictional and the literary. In the draft script, these building blocks were interwoven with VALIE EXPORT’s own works, for her engagement with body rituals and inscriptions in the body in a world that is increasingly technicized and virtualized has been the subject of VALIE EXPORT’s artistic work ever since the 1960s. It was intended to realize this work titled Der virtuelle Körper. Vom Prothesenkörper zum postbiologischen Körper [The Virtual Body: From the Prosthetic Body to the Postbiological Body] in Austrian Television’s series ORF Kunststücke; however, despite years of preliminary work it was never made due to budget constraints. This script, which has been thoroughly reworked and edited, is now available: a project that the VALIE EXPORT Center Linz realized in collaboration with the Neuer Berliner Kunstverein NBK and VALIE EXPORT.

Journal Clipping

Unsichtbare Gegner