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Book
A woman speaks the lectures, seminars, and interviews of Anaïs Nin
Nin, Anaïs
Journal Clipping
"Du holde Kunst"
[VEC.004.691] - Gustav Deutsch. Die Weitergabe des Feuers
Invitation
Gustav Deutsch. Die Weitergabe des Feuers
[VEC.000.947] - HYPERBULIE (1973)
Work Description
HYPERBULIE (1973)
VALIE EXPORT
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Book
Die Torheit der Philosophen Dialoge über die Erkenntnis
Feyerabend, Paul
Letter
Correspondence Nikolaus Lehner, VALIE EXPORT
Lehner, Nikolaus; VALIE EXPORT
Newspaper Clipping
Mürrischer Protest
[VEC.004.611] - Voice & Void
Information
Voice & Void
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Book
Into video art the characteristics of a medium : de karakteristieken van een medium
Perrée, Rob
Newspaper Clipping
"Ars"-Ende geduldig durchgestanden
Kitzmantel, Silvia
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Book
Gesammelte Gedichte und visuelle Texte
Rühm, Gerhard
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Book
Bilder und Nachbilder
Hahnenkamp, Maria
[VEC.004.631] - Mathilde Ter Heijne. Any Day Now
Invitation
Mathilde Ter Heijne. Any Day Now
Postcard
Correspondence Franz Graf [?], VALIE EXPORT
Graf, Franz [?]
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Book
Kunstdiktatur im Dritten Reich
Rave, Paul Ortwin
[VEC.000.813] - [Recherchematerial "UNICA", "Die Klavierspielerin"]
Research Material
[Research material "UNICA", "Die Klavierspielerin"]
VALIE EXPORT
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Book
Frau, Familie und Revolution Übersetzung der Textsammlung "Women and the family"
Trockij, Lev Davidovič
Newspaper Clipping
Die Top 100 der Kunstszene
Hofbauer, Renate
[VEC.004.484] - Das Reale und sein Double: Der Körper
Curation
Virtual Bodies
Based on her large collection of material on the history of the body, in the 1990s VALIE EXPORT developed an essayistic script for a documentary film that encompassed the history of culture, art, and science, artificial intelligence, the dimensions of the virtual, and with forays into the fictional and the literary. In the draft script, these building blocks were interwoven with VALIE EXPORT’s own works, for her engagement with body rituals and inscriptions in the body in a world that is increasingly technicized and virtualized has been the subject of VALIE EXPORT’s artistic work ever since the 1960s. It was intended to realize this work titled Der virtuelle Körper. Vom Prothesenkörper zum postbiologischen Körper [The Virtual Body: From the Prosthetic Body to the Postbiological Body] in Austrian Television’s series ORF Kunststücke; however, despite years of preliminary work it was never made due to budget constraints. This script, which has been thoroughly reworked and edited, is now available: a project that the VALIE EXPORT Center Linz realized in collaboration with the Neuer Berliner Kunstverein NBK and VALIE EXPORT.
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Book
The black book
Mapplethorpe, Robert
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Book
Der Gedankentelegraph oder die augenblickliche Mittheilung des Gedankens auf jede beliebige Entfernung, selbst von einem Welttheile zum andern, mittelst einer tragbaren Maschine die wunderbarste Erfindung unserer Zeit
Benoît, Jacques Toussaint
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Book
Theater. Begegnung. Integration?
Letter
Correspondence VALIE EXPORT, Gabriele Wimmer
VALIE EXPORT; Wimmer, Gabriele
Commentary
Correspondence VALIE EXPORT, Sabine Breitwieser
VALIE EXPORT
Film Production
Kunst-Stuecke Performance Art - Valie Export. Liste der Versprechungen und Verträge
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Book
Images of deception the art of trompe-l'oeil
Dars, Célestine
Telegram
Correspondence Eva Stangl, Christiane Adrian-Engländer, VALIE EXPORT
Adrian-Engländer, Christiane; Stangl, Eva
Newspaper Clipping
Der Mann mit dem goldenen Pinsel
Hajek, Peter; Fuchs [?]
[VEC.002.405] - [Allentsteig]
Photography (Documentation)
[Allentsteig]
VALIE EXPORT
Press Reviews
Valie Export lehnt Oskar-Kokoschka-Preis ab
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Book
Querspur [Videofestival, 3. - 5. Mai 1990 Linz]
Journal Clipping
Joseph Beuys (†) zum 65. Geburtstag
Dreher, Thomas
Invitation
Künstlerinnen international von 1877-1977
Fax
Correspondence Susanne Schwinghammer, Rainer Iglar
Schwinghammer, Susanne
[VEC.001.883] - Stimmen aus dem Innenraum
Draft
Stimmen aus dem Innenraum [Voices from Inner Space]
VALIE EXPORT
[VEC.000.001.K] - Bewegte Bilder über sich bewegende Personen
Curation
Expanded Cinema
VALIE EXPORT has been developing Expanded Cinema actions since 1968 which rely equally on an active screen and an active audience, and open up the field of vision through technical resources in such a way that both cinema and the medium itself as an independent entity are dissolved. “Expanded Cinema, the expanded film, was also about using the medium to represent and break up power structures, as they said back then: to decode, to deconstruct.” VALIE EXPORT, “Austria im Rosennetz”, Der Standard, 18.10.1996. The Expanded Cinema 1 showcase assembles materials about cinematic, actionist, and technological reflections on the expanded concept of the screen and provides insights on this artistic field.
Poster
The End: An Independent Vision of Contemporary Culture, 1982-2000
[VEC.005.006] - KUNST MIT EIGEN-SINN. International exhibition of contemporary art by women in t
Curation
The Artist as Curator
VALIE EXPORT’s collaborative curatorial projects have focused on raising the visibility of female artists from all fields. Two examples are MAGNA. Feminismus: Kunst und Kreativität. Ein Überblick über die weibliche Sensibilität, Imagination, Projektion und Problematik, suggeriert durch ein Tableau von Bildern, Objekten, Fotos, Vorträgen, Diskussionen, Lesungen, Filmen, Videobändern und Aktionen, zusammengestellt von VALIE EXPORT, 1975 [MAGNA. Feminism: Art and Creativity. A Survey of Female Sensibility, Imagination, Projection, and Problematics, as evoked by a tableau of images, objects, photographs, lectures, discussions, readings, films, videotapes, and actions that was assembled by VALIE EXPORT] in 1975, and Kunst mit Eigen-Sinn. Aktuelle Kunst von Frauen [Art with a Sense of Its Own Self-will: Contemporary Art by Women], initiated by VALIE EXPORT in 1985 and realized together with cocurator Silvia Eiblmayr at the Museum of the 20th Century in Vienna (now renamed Belvedere 21). Both exhibitions continue to constitute milestones in the history of women in art and society.
[VEC.004.667] - Save the Date. 10 Years Julia Stoschek Collection Düsseldorf
Invitation
Save the Date. 10 Years Julia Stoschek Collection Düsseldorf
[VEC.004.481] - AUSTRIAN FILM WEEK. Six Feature Films dating from 1977-1984
Information
AUSTRIAN FILM WEEK. Six Feature Films dating from 1977-1984
[VEC.004.612] - Voice & Void - Vorträge
Curation
The Voice as a Medium
The voice as a medium, as a carrier of information, and as a political issue has been explored by VALIE EXPORT since the 1960s and has been translated into various formats defined by the artist: as a multi-channel video installation, as a body communication action and extended film, as a performance, and also as an intermedia theater play. This selection of sketches, notes, and catalog contributions documents a period of approximately 40 years. Content-wise it is about the power of the voice, used and abused by people in influential (political) positions. Not least, however, it is also about the self-empowerment of women who raise their voices to make their concerns and demands heard and who exercise self-determination.
Press Reviews
Karin Hanta, "Exporting Export", in: Austria Kultur, Vol. 10, Nr. 1/2000, Jan/Feb 2000
Hanta, Karin
[VEC.004.562] - Cage - pour les oiseaux
Information
Cage - pour les oiseaux
Television Announcement
Announcements and reviews of the television broadcasting of "Valie Export. Porträt einer Filmregisseurin" on ARD, 1981
Newspaper Clipping
Valie Export zeigt Avantgarde. 'Das bewaffnete Auge' [The Armed Eye] im November auf FS 2
[VEC.004.801] - [Ontologischer Sprung Arm, 1974]
Information
[Ontologischer Sprung Arm, 1974]
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Book
Adriena Simotova Galerie de France, Paris, fevrier, 1991
Šimotová, Adriena
Letter
Correspondence Gerald Bast, VALIE EXPORT
VALIE EXPORT
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Journal
Information / Kunsthochschule für Medien
Kunsthochschule für Medien Köln
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Public/private Goldie Paley Gallery, Levy Gallery for the Arts in Philadelphia, Moore College of Art and Design, Philadelphia, Pennsylvania, September 7-October 17, 1993 : MIT List Visual Arts Center, Cambridge, Massachusetts, January 15-March 27, 1994 : Art Gallery of Ontario, Toronto, Ontario, Canada, June 24-September 17, 1994 : Los Angeles Contemporary Exhibitions (LACE), Los Angeles, California, November-December, 1994
Graham, Dan