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[VEC.001.185] - Theseustempel (Stufen) — Photography (Study, Documentation)

Theuseustempel (Stufen) [Temple of Theseus (Stairs)]

VALIE EXPORT

Correspondence Sabine Scholl [?], Rebecca Horn

Scholl, Sabine [?]

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Objekt - Video [Ausstellung "Objekt:Video" in der Oö Landesgalerie vom 10. Oktober bis 17. November 1996]

Newspaper Clipping

Der Warencharakter der Liebe

Ro [Abbreviation]

[VEC.001.241] - WVZ 1114 — Photography (Study, Documentation)

WVZ 1114

VALIE EXPORT

Protest and Survive

[VEC.001.492] - ROT — Photography (Study, Documentation)

ROT

VALIE EXPORT

Warsaw Gallery Weeked. City map

[VEC.004.484] - Das Reale und sein Double: Der Körper — Curation

Virtual Bodies

Based on her large collection of material on the history of the body, in the 1990s VALIE EXPORT developed an essayistic script for a documentary film that encompassed the history of culture, art, and science, artificial intelligence, the dimensions of the virtual, and with forays into the fictional and the literary. In the draft script, these building blocks were interwoven with VALIE EXPORT’s own works, for her engagement with body rituals and inscriptions in the body in a world that is increasingly technicized and virtualized has been the subject of VALIE EXPORT’s artistic work ever since the 1960s. It was intended to realize this work titled Der virtuelle Körper. Vom Prothesenkörper zum postbiologischen Körper [The Virtual Body: From the Prosthetic Body to the Postbiological Body] in Austrian Television’s series ORF Kunststücke; however, despite years of preliminary work it was never made due to budget constraints. This script, which has been thoroughly reworked and edited, is now available: a project that the VALIE EXPORT Center Linz realized in collaboration with the Neuer Berliner Kunstverein NBK and VALIE EXPORT.

Correspondence VALIE EXPORT, Hans Hollein

[VEC.004.698] - Münchner Freiheit. Eine Stadt und das Kino — Invitation

Münchner Freiheit. Eine Stadt und das Kino

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Ulrike Rosenbach [Stedelijk Museum, Amsterdam 28 maart - 11 mei 1980]

Newspaper Clipping

Frauen und ihre unsichtbaren Gegner. Filme der österreichischen Regisseurin und Theoretikerin Valie Export

EHo [abbreviation]

[VEC.005.006] - KUNST MIT EIGEN-SINN. International exhibition of contemporary art by women in t — Curation

The Artist as Curator

VALIE EXPORT’s collaborative curatorial projects have focused on raising the visibility of female artists from all fields. Two examples are MAGNA. Feminismus: Kunst und Kreativität. Ein Überblick über die weibliche Sensibilität, Imagination, Projektion und Problematik, suggeriert durch ein Tableau von Bildern, Objekten, Fotos, Vorträgen, Diskussionen, Lesungen, Filmen, Videobändern und Aktionen, zusammengestellt von VALIE EXPORT, 1975 [MAGNA. Feminism: Art and Creativity. A Survey of Female Sensibility, Imagination, Projection, and Problematics, as evoked by a tableau of images, objects, photographs, lectures, discussions, readings, films, videotapes, and actions that was assembled by VALIE EXPORT] in 1975, and Kunst mit Eigen-Sinn. Aktuelle Kunst von Frauen [Art with a Sense of Its Own Self-will: Contemporary Art by Women], initiated by VALIE EXPORT in 1985 and realized together with cocurator Silvia Eiblmayr at the Museum of the 20th Century in Vienna (now renamed Belvedere 21). Both exhibitions continue to constitute milestones in the history of women in art and society.

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Die Wiener Gruppe Achleitner, Artmann, Bayer, Rühm, Wiener Texte, Gemeinschaftsarbeiten, Aktionen

Rühm, Gerhard

Correspondence VALIE EXPORT, Friederike [Mayröcker]

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Mein heimliches Auge das Jahrbuch der Erotik

Fotolegende zu "Aktionskunst International" [Action Art International]

Correspondence Annette Förster, VALIE EXPORT

Förster, Annette

[VEC.002.222] - Stimmen aus dem Innenraum — Concept Sketch

Stimmen aus dem Innenraum [Voices from Inner Space]

VALIE EXPORT

Correspondence Annette Baack, VALIE EXPORT

Baack, Annette; VALIE EXPORT

Newspaper Clipping

Verdrängung hat die Hand im Spiel

Oskar-Kokoschka-Preis 2000

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Egon Schiele the Ronald S. Lauder and Serge Sabarsky Collections [this catalogue has been published in conjunction with the exhibition 'Egon Schiele, The Ronald S. Lauder and Serge Sabarsky Collections', Neue Galerie New York, October 21, 2005 - February 20, 2006]

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Wirtschafts-Blatt Österreichs unabhängige Tageszeitung für Wirtschaft & Finanzen

21st London Film Festival. Programme Notes / [Invitation] / Invisible Adversaries

Wlaschin, Ken u.a.

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Meisterwerke der "frühen Fotografie" aus der Sammlung Fotografis Länderbank

Sammlung Fotografis

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Theorien und Dinge

Quine, W. V.

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Säcke

Melián, Michaela

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Das Buch ohne Titel erlebte Geschichten

Loos, Lina

[VEC.004.532] - o século do corpo, trabalhos fotograficos 1900-1999 — Invitation

o século do corpo, trabalhos fotograficos 1900-1999

Correspondence VALIE EXPORT, Muriel Olesen

[VEC.004.612] - Voice & Void - Vorträge — Curation

The Voice as a Medium

The voice as a medium, as a carrier of information, and as a political issue has been explored by VALIE EXPORT since the 1960s and has been translated into various formats defined by the artist: as a multi-channel video installation, as a body communication action and extended film, as a performance, and also as an intermedia theater play. This selection of sketches, notes, and catalog contributions documents a period of approximately 40 years. Content-wise it is about the power of the voice, used and abused by people in influential (political) positions. Not least, however, it is also about the self-empowerment of women who raise their voices to make their concerns and demands heard and who exercise self-determination.

[VEC.001.106] - Auflegung — Photography (Study, Documentation)

Auflegung

VALIE EXPORT

Correspondence Erika Patka, Jacques Ledoux

Correspondence Hans Knoll, VALIE EXPORT

Knoll, Hans; VALIE EXPORT

[VEC.000.001.K] - Bewegte Bilder über sich bewegende Personen — Curation

Expanded Cinema

VALIE EXPORT has been developing Expanded Cinema actions since 1968 which rely equally on an active screen and an active audience, and open up the field of vision through technical resources in such a way that both cinema and the medium itself as an independent entity are dissolved. “Expanded Cinema, the expanded film, was also about using the medium to represent and break up power structures, as they said back then: to decode, to deconstruct.” VALIE EXPORT, “Austria im Rosennetz”, Der Standard, 18.10.1996. The Expanded Cinema 1 showcase assembles materials about cinematic, actionist, and technological reflections on the expanded concept of the screen and provides insights on this artistic field.

Newspaper Clipping

Und Valie nimmt sie doch, die 250.000 Schilling

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Die Wirklichkeit des Bildes Sehen und Erkennen - vom Spiegel zum Kunstbild

Brandt, Reinhard

[VEC.001.491] - ROT — Photography (Study, Documentation)

ROT

VALIE EXPORT

Correspondence Brigitte, VALIE EXPORT

Newspaper Clipping

Der tägliche Tipp

Correspondence Pierre Daum, Susanne Schwinghammer

Daum, Pierre; Schwinghammer, Susanne

[Neg. Inge Hausmann Dec. 89. Titel?]

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Kolik Zeitschrift für Literatur

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Filmschrift

Verein Österreichischer Filmtage

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Kant nach Duchamp

Duve, Thierry de

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

X - Y Zwiespalt der Geschlechter

[VEC.000.844] - "the voice as performance, act and body", 2007. Text der Performance — Script

"the voice as performance, act and body", 2007. Text der Performance

VALIE EXPORT

Valie Export. Body Configurations, 1972-76