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Book
White light, white heat [Wien, im Oktober 1990]
[VEC.004.484] - Das Reale und sein Double: Der Körper
Curation
Virtual Bodies
Based on her large collection of material on the history of the body, in the 1990s VALIE EXPORT developed an essayistic script for a documentary film that encompassed the history of culture, art, and science, artificial intelligence, the dimensions of the virtual, and with forays into the fictional and the literary. In the draft script, these building blocks were interwoven with VALIE EXPORT’s own works, for her engagement with body rituals and inscriptions in the body in a world that is increasingly technicized and virtualized has been the subject of VALIE EXPORT’s artistic work ever since the 1960s. It was intended to realize this work titled Der virtuelle Körper. Vom Prothesenkörper zum postbiologischen Körper [The Virtual Body: From the Prosthetic Body to the Postbiological Body] in Austrian Television’s series ORF Kunststücke; however, despite years of preliminary work it was never made due to budget constraints. This script, which has been thoroughly reworked and edited, is now available: a project that the VALIE EXPORT Center Linz realized in collaboration with the Neuer Berliner Kunstverein NBK and VALIE EXPORT.
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Book
Raum, Zeit - Architektur in der Fotografie Werke aus der Sammlung der DZ-Bank [Katalog zur gemeinsamen Ausstellung "Raum, Zeit - Architektur in der Fotografie", 16. November 2003 - 11. Januar 2004]
Exhibition Concept / Organization
[Note]
[VEC.001.276] - ZU/STAND (1972)
Photography (Study, Documentation)
ZU/STAND [STANDING/STATE] (1972)
VALIE EXPORT
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Book
Eyes looking for a head to inhabit Muzeum Sztuki W Łodzi 30. 09. - 11. 12. 2012
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Book
Mirada de mujer - Frauenblicke aus Lateinamerika Filmbühne am Steinplatz : 1.-14. Oktober 1992
Research Material
Einer, Einfach menschlich FPÖ
VALIE EXPORT
[VEC.000.885] - [Fotokopien aus dem Katalog zur MAGNA-Ausstellung]
Documentation
[Fotokopien aus dem Katalog zur MAGNA-Ausstellung]
VALIE EXPORT
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Visual Material
Performance Saga, Interviews 01-08 Begegnungen mit Pionierinnen der Performancekunst encounters with women pioneers of performance art DVD-Edition mit 8 DVDs und 8 Textheften
Telegram
Correspondence Hans Preiner, VALIE EXPORT
Preiner, Hans
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Journal
Benefizauktion für das Mobile Hospiz der Caritas
Research Material
CONTEMPORANEA
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Book
Töne & Gegentöne eine Musikausstellung
Wiener Festwochen Wien
Letter
Correspondence Erika Patka, Rose Richter
Patka, Erika
[VEC.006.102] - [ENGL. TEXTE DIV. AKTIONEN] - [a religios ban on pictures, and ...]
Essay
[ENGL. TEXTE DIV. AKTIONEN] - [a religios ban on pictures, and ...]
Card
Correspondence Archiv Sohm, VALIE EXPORT
Sohm, [Hanns?]
[VEC.006.080] - [ENGL. TEXTE DIV. AKTIONEN] - CAUSALGY
Concept text
[ENGL. TEXTE DIV. AKTIONEN] - CAUSALGY
VALIE EXPORT
Information
Protest and Survive
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Book
Gabriele von Bülows Töchter Leben und Schicksale der fünf Enkelinnen Wilhelm v. Humboldts aus Briefen und Tagebüchern gestaltet
Sydow, Anna von
Invitation
"Kunstgespräche" mit VALIE EXPORT
[VEC.004.612] - Voice & Void - Vorträge
Curation
The Voice as a Medium
The voice as a medium, as a carrier of information, and as a political issue has been explored by VALIE EXPORT since the 1960s and has been translated into various formats defined by the artist: as a multi-channel video installation, as a body communication action and extended film, as a performance, and also as an intermedia theater play. This selection of sketches, notes, and catalog contributions documents a period of approximately 40 years. Content-wise it is about the power of the voice, used and abused by people in influential (political) positions. Not least, however, it is also about the self-empowerment of women who raise their voices to make their concerns and demands heard and who exercise self-determination.
Newspaper Clipping
Von Künstlern lernen / Workshops und Experimente für junge Berliner
Helmig, Martina
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Journal
Art monthly
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Journal
Internationale Sommerakademie für Bildende Kunst Salzburg
Internationale Sommerakademie für Bildende Kunst Salzburg
[VEC.001.383] - Dreieck mit Bogen (Vorarbeit)
Photography (Study, Documentation)
Dreieck mit Bogen (Vorarbeit)
VALIE EXPORT
[VEC.001.136] - ohne Titel
Photography (Study, Documentation)
ohne Titel [no title]
VALIE EXPORT
[VEC.005.006] - KUNST MIT EIGEN-SINN. International exhibition of contemporary art by women in t
Curation
The Artist as Curator
VALIE EXPORT’s collaborative curatorial projects have focused on raising the visibility of female artists from all fields. Two examples are MAGNA. Feminismus: Kunst und Kreativität. Ein Überblick über die weibliche Sensibilität, Imagination, Projektion und Problematik, suggeriert durch ein Tableau von Bildern, Objekten, Fotos, Vorträgen, Diskussionen, Lesungen, Filmen, Videobändern und Aktionen, zusammengestellt von VALIE EXPORT, 1975 [MAGNA. Feminism: Art and Creativity. A Survey of Female Sensibility, Imagination, Projection, and Problematics, as evoked by a tableau of images, objects, photographs, lectures, discussions, readings, films, videotapes, and actions that was assembled by VALIE EXPORT] in 1975, and Kunst mit Eigen-Sinn. Aktuelle Kunst von Frauen [Art with a Sense of Its Own Self-will: Contemporary Art by Women], initiated by VALIE EXPORT in 1985 and realized together with cocurator Silvia Eiblmayr at the Museum of the 20th Century in Vienna (now renamed Belvedere 21). Both exhibitions continue to constitute milestones in the history of women in art and society.
[VEC.003.917] - TONFILM, Körper-Kommunikations-aktion. 1969
Work Description
TONFILM, Körper-Kommunikations-aktion. 1969
VALIE EXPORT
[VEC.004.109] - [Der Status der Frau in der Ges[ellschaft] ...]
Note
[Der Status der Frau in der Ges[ellschaft] ...]
VALIE EXPORT
Letter
Correspondence VALIE EXPORT, Antje Kunstmann
VALIE EXPORT
Letter
Correspondence Frigga Luchinetti, Grita [Insam?], VALIE EXPORT
Luchinetti, Frigga
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Book
Das Sofortbild Polaroid [Ausstellung Aktionsgalerie Bern, Oktober 1977]
[VEC.001.371] - Dreieck mit Bogen (Vorarbeit)
Photography (Study, Documentation)
Dreieck mit Bogen (Vorarbeit)
VALIE EXPORT
[VEC.002.306] - Notizen zu Baudrillard
Excerpt
Notizen zu Baudrillard
VALIE EXPORT
Letter
Correspondence Henry Flynt, VALIE EXPORT
Flynt, Henry; VALIE EXPORT
[VEC.001.283] - Ich/selbst
Photography (Study, Documentation)
Ich/selbst
VALIE EXPORT
Letter
Correspondence Hubert Besacier, Orlan, VALIE EXPORT
Besacier, Hubert; Orlan
Lecture
SS94, Valie Export / Ines Lindner, "Installationen. ..." - Essay by Matthias Brunner
Brunner, Matthias
Newspaper Clipping
Heiteres Bezirksgericht: Ausverkauft
Fritsch, Günther
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Journal
Der Spiegel
[VEC.004.480] - SYNTAGMA. A Film by Valie Export
Information
SYNTAGMA. A Film by Valie Export
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Book
Die griechische Plastik des 5. Jahrhunderts v. Chr.
Picard, Charles
[VEC.000.890] - Der Fetisch in der Filmgeschichte
Concept Text
Der Fetisch in der Filmgeschichte
VALIE EXPORT
Contract
Contract between Kathrin Ziemke and Limbo Film
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Journal
Cinema : Europas größte Filmzeitschrift
Letter
Correspondence Erika Patka, Dore O.
Patka, Erika; VALIE EXPORT
[VEC.001.780] - Orthogonale Raumvektoren
Draft
Orthogonale Raumvektoren [Orthogonal Space Vectors]
VALIE EXPORT
[VEC.000.001.K] - Bewegte Bilder über sich bewegende Personen
Curation
Expanded Cinema
VALIE EXPORT has been developing Expanded Cinema actions since 1968 which rely equally on an active screen and an active audience, and open up the field of vision through technical resources in such a way that both cinema and the medium itself as an independent entity are dissolved. “Expanded Cinema, the expanded film, was also about using the medium to represent and break up power structures, as they said back then: to decode, to deconstruct.” VALIE EXPORT, “Austria im Rosennetz”, Der Standard, 18.10.1996. The Expanded Cinema 1 showcase assembles materials about cinematic, actionist, and technological reflections on the expanded concept of the screen and provides insights on this artistic field.
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NO!art [der Katalog anlässlich der Ausstellungen "NO!art" in der NGBK vom 21. Oktober bis 26. November 1995 und "Boris Lurie und NO!art" im Haus am Kleistpark vom 22. Oktober bis 26. November 1995]