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Correspondence VALIE EXPORT, Cora [Pongracz]

Correspondence Nikolaus Lehner, VALIE EXPORT

Lehner, Nikolaus; VALIE EXPORT

[VEC.001.133] - ABRUNDUNG I / ABRUNDUNG II — Photography (Study, Documentation)

ABRUNDUNG I / ABRUNDUNG II

VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Experi und Nixperi

Internationales Bonner Kurzfilmfestival

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Der Komantsche

Achternbusch, Herbert

Der Rupertinum Fotopreis wird vergeben

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Die Presse frei seit 1848

[VEC.001.145] - Entität — Photography (Study, Documentation)

Entität [Entity]

VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Neue Anthropologie

Valie Export lehnt Oskar-Kokoschka-Preis ab

[VEC.001.118] - Ausprägung — Photography (Study, Documentation)

Ausprägung

VALIE EXPORT

Correspondence Sabine Scholl, Willemijn L. Stokvis

Scholl, Sabine; Stokvis, L. Willemijn

Newspaper Clipping

"Hyksos" walks among us

Newspaper Clipping

Christoph, Horst

[VEC.004.674] - 90 Jahre KDKÖ (Klub der Kinoamateure Österreichs) — Invitation

90 Jahre KDKÖ (Klub der Kinoamateure Österreichs)

[VEC.004.623] - sonntags um 11. Zeit und Gegenzeit. Stella Rollig im Gespräch mit VALIE EXPORT — Invitation

sonntags um 11. Zeit und Gegenzeit. Stella Rollig im Gespräch mit VALIE EXPORT

[VEC.004.476] - VALIE EXPORT. Körpersplitter / Bodysplitters — Announcement

VALIE EXPORT. Körpersplitter / Bodysplitters

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Form and content in thinking turing machines

Wiener, Oswald

[VEC.000.001.K] - Bewegte Bilder über sich bewegende Personen — Curation

Expanded Cinema

VALIE EXPORT has been developing Expanded Cinema actions since 1968 which rely equally on an active screen and an active audience, and open up the field of vision through technical resources in such a way that both cinema and the medium itself as an independent entity are dissolved. “Expanded Cinema, the expanded film, was also about using the medium to represent and break up power structures, as they said back then: to decode, to deconstruct.” VALIE EXPORT, “Austria im Rosennetz”, Der Standard, 18.10.1996. The Expanded Cinema 1 showcase assembles materials about cinematic, actionist, and technological reflections on the expanded concept of the screen and provides insights on this artistic field.

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Germania zweisprachig

Tacitus, Cornelius

[VEC.001.877] - Stimmen aus dem Innenraum — Draft

Stimmen aus dem Innenraum [Voices from Inner Space]

VALIE EXPORT

Correspondence Anne, VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Gestochen scharf [Tätowierung in der Kunst] [... anlässlich der Ausstellung "Gestochen Scharf" vom 24. März bis 28. Juli 2013 im Museum Villa Rot in Burgrieden-Rot]

Correspondence Julius H. Schoeps, VALIE EXPORT

Schoeps, Julius H.

[VEC.004.612] - Voice & Void - Vorträge — Curation

The Voice as a Medium

The voice as a medium, as a carrier of information, and as a political issue has been explored by VALIE EXPORT since the 1960s and has been translated into various formats defined by the artist: as a multi-channel video installation, as a body communication action and extended film, as a performance, and also as an intermedia theater play. This selection of sketches, notes, and catalog contributions documents a period of approximately 40 years. Content-wise it is about the power of the voice, used and abused by people in influential (political) positions. Not least, however, it is also about the self-empowerment of women who raise their voices to make their concerns and demands heard and who exercise self-determination.

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Der erotische Film

Lenne, Gérard

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Zelda

Milford, Nancy

Correspondence Erika Patka, Rebecca Horn

Valie Export. Body Configurations, 1972-76

[VEC.002.253] - Kabakov / Was ist eine Installation — Lecture

Kabakov / Was ist eine Installation

VALIE EXPORT

Correspondence Berhard Holeczek, VALIE EXPORT

Holeczek, Bernhard; VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Abstract film and beyond

Le Grice, Malcom

[VEC.004.548] - METANIOA oder eine andere Sicht der Dinge — Invitation

METANIOA oder eine andere Sicht der Dinge

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Now! das österreichische Magazin für Musik, DVDs & mehr

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Entfernung 31 Abschnitte Roman

Streeruwitz, Marlene

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Christina Augusta, König von Schweden ein Lebensbild

Schrott, Anna von

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Studien über Autorität und Familie Forschungsberichte aus dem Institut für Sozialforschung

Correspondence Uwe M. Schneede, Margret Loesdau, VALIE EXPORT

Schneede, Uwe M.; Loesdau, Margret; VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Carlo Scarpa

Scarpa, Carlo

[VEC.001.102] - 3 Figurationszeichen / 3 Konfigurationszeichen — Photography (Study, Documentation)

3 Figurationszeichen / 3 Konfigurationszeichen

VALIE EXPORT

[VEC.004.559] - VALIE EXPORT [Santa Monica, 2002] — Invitation

VALIE EXPORT [Santa Monica, 2002]

[VEC.004.484] - Das Reale und sein Double: Der Körper — Curation

Virtual Bodies

Based on her large collection of material on the history of the body, in the 1990s VALIE EXPORT developed an essayistic script for a documentary film that encompassed the history of culture, art, and science, artificial intelligence, the dimensions of the virtual, and with forays into the fictional and the literary. In the draft script, these building blocks were interwoven with VALIE EXPORT’s own works, for her engagement with body rituals and inscriptions in the body in a world that is increasingly technicized and virtualized has been the subject of VALIE EXPORT’s artistic work ever since the 1960s. It was intended to realize this work titled Der virtuelle Körper. Vom Prothesenkörper zum postbiologischen Körper [The Virtual Body: From the Prosthetic Body to the Postbiological Body] in Austrian Television’s series ORF Kunststücke; however, despite years of preliminary work it was never made due to budget constraints. This script, which has been thoroughly reworked and edited, is now available: a project that the VALIE EXPORT Center Linz realized in collaboration with the Neuer Berliner Kunstverein NBK and VALIE EXPORT.

[VEC.003.875] - [menschen sind verseucht und deformiert, was ein paradies sein könnte, wird eine — Artist Statement

[menschen sind verseucht und deformiert, was ein paradies sein könnte, wird eine qual zum tod. ...]

VALIE EXPORT

Espace Multimédia Gartner: Printemps + Été 2017. Avril > Août

Correspondence Eva Rieger, VALIE EXPORT

[VEC.001.244] - WVZ 1112 — Photography (Study, Documentation)

WVZ 1112

VALIE EXPORT

[VEC.001.142] - Einrundung — Photography (Study, Documentation)

Einrundung

VALIE EXPORT

[VEC.001.251] - Kumetrie 4 — Photography (Study, Documentation)

Kumetrie 4

VALIE EXPORT

Reply card for the Opening of FORUM DESIGN on the 27.06.1980

[VEC.005.006] - KUNST MIT EIGEN-SINN. International exhibition of contemporary art by women in t — Curation

The Artist as Curator

VALIE EXPORT’s collaborative curatorial projects have focused on raising the visibility of female artists from all fields. Two examples are MAGNA. Feminismus: Kunst und Kreativität. Ein Überblick über die weibliche Sensibilität, Imagination, Projektion und Problematik, suggeriert durch ein Tableau von Bildern, Objekten, Fotos, Vorträgen, Diskussionen, Lesungen, Filmen, Videobändern und Aktionen, zusammengestellt von VALIE EXPORT, 1975 [MAGNA. Feminism: Art and Creativity. A Survey of Female Sensibility, Imagination, Projection, and Problematics, as evoked by a tableau of images, objects, photographs, lectures, discussions, readings, films, videotapes, and actions that was assembled by VALIE EXPORT] in 1975, and Kunst mit Eigen-Sinn. Aktuelle Kunst von Frauen [Art with a Sense of Its Own Self-will: Contemporary Art by Women], initiated by VALIE EXPORT in 1985 and realized together with cocurator Silvia Eiblmayr at the Museum of the 20th Century in Vienna (now renamed Belvedere 21). Both exhibitions continue to constitute milestones in the history of women in art and society.