Startpage - Archiv VALIE EXPORT Center

[VEC.006.060] - [ENGL. TEXTE DIV. AKTIONEN] - Synopsis MENSCHENFRAUEN — Excerpt

[ENGL. TEXTE DIV. AKTIONEN] - Synopsis MENSCHENFRAUEN

VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Der letzte Gott

Mayreder, Rosa

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Kunst Köln Kunst, Künstler, Museen, Galerien

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Film before Griffith

[VEC.001.091] - ZUWENDUNG (1976) — Photography (Study, Documentation)

ZUWENDUNG (1976)

VALIE EXPORT

META PERCEPTION: THE CAMERA OBSCURA OF CONSCIOUSNESS - quotes

Einladung zur Vorbesichtigung der Ausstellung "Herbstsalon"

[VEC.004.759] - Museum Tinguely. Ausstellungsprogramm 2017 — Program

Museum Tinguely. Ausstellungsprogramm 2017

[Police record of house search], 22.04.1970

[VEC.006.052] - [ENGL. TEXTE DIV. AKTIONEN] - Films and Videos by VALIE EXPORT in the Generali F — List of Works

[ENGL. TEXTE DIV. AKTIONEN] - Films and Videos by VALIE EXPORT in the Generali Foundation Collection

VALIE EXPORT

Newspaper Clipping

Stellungnahmen - Reaktionen [letters to the editor]

Suchentrunk, Wilhelm; Müller, Felix; Müller, Elvira; Weilguny, M.

Correspondence Erika Patka, Meret Oppenheim

SS94, Valie Export / Ines Lindner, "Installationen. ..." - Essay Kerstin Rotermund

Rotermund, Kerstin

Newspaper Clipping

oh [abbreviation]

[VEC.004.612] - Voice & Void - Vorträge — Curation

The Voice as a Medium

The voice as a medium, as a carrier of information, and as a political issue has been explored by VALIE EXPORT since the 1960s and has been translated into various formats defined by the artist: as a multi-channel video installation, as a body communication action and extended film, as a performance, and also as an intermedia theater play. This selection of sketches, notes, and catalog contributions documents a period of approximately 40 years. Content-wise it is about the power of the voice, used and abused by people in influential (political) positions. Not least, however, it is also about the self-empowerment of women who raise their voices to make their concerns and demands heard and who exercise self-determination.

TV/1 [Das bewaffnete Auge]

Newspaper Clipping

Wo man Scheiße subventioniert / Front gegen Export-Film

Nimmerrichter, Richard alias Staberl

[VEC.000.998] - [29. April] — Note

[29. April]

VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Frauen, Bilder, Männer, Mythen kunsthistorische Beiträge

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Forum

[VEC.006.234] - [Recherchematerial "Aktionskunst International"] - Fragen an [?] — Research material

[Research material "Aktionskunst International"] - Questions to [?]

VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Die Fesseln der Liebe Psychoanalyse, Feminismus und das Problem der Macht

Benjamin, Jessica

Überwachen und Strafen. Die Geburt des Gefängnisses.. oder... das unendlich Kleine der politischen Gewalt (Michel Foucault)

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Anschauliches Denken zur Einheit von Bild und Begriff

Arnheim, Rudolf

Correspondence Natalia LL, VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Der subjektive Faktor, vertrackt

Sander, Helke

Zwischen den Kriegen. Schlossmuseum und Ausstellungen zum Gedenkjahr 2018 der OÖ Landesmuseen

Correspondence Sabine Scholl [?], Rebecca Horn

Scholl, Sabine [?]

Einladung zum II. Wiener Symposium über Semiotik, "Verbalisierung nonverbaler Kommunikation"

[VEC.004.484] - Das Reale und sein Double: Der Körper — Curation

Virtual Bodies

Based on her large collection of material on the history of the body, in the 1990s VALIE EXPORT developed an essayistic script for a documentary film that encompassed the history of culture, art, and science, artificial intelligence, the dimensions of the virtual, and with forays into the fictional and the literary. In the draft script, these building blocks were interwoven with VALIE EXPORT’s own works, for her engagement with body rituals and inscriptions in the body in a world that is increasingly technicized and virtualized has been the subject of VALIE EXPORT’s artistic work ever since the 1960s. It was intended to realize this work titled Der virtuelle Körper. Vom Prothesenkörper zum postbiologischen Körper [The Virtual Body: From the Prosthetic Body to the Postbiological Body] in Austrian Television’s series ORF Kunststücke; however, despite years of preliminary work it was never made due to budget constraints. This script, which has been thoroughly reworked and edited, is now available: a project that the VALIE EXPORT Center Linz realized in collaboration with the Neuer Berliner Kunstverein NBK and VALIE EXPORT.

[VEC.003.871] - Meine Körpermontagen, Körperfotografien — Artist Statement

Meine Körpermontagen, Körperfotografien

VALIE EXPORT

[VEC.005.006] - KUNST MIT EIGEN-SINN. International exhibition of contemporary art by women in t — Curation

The Artist as Curator

VALIE EXPORT’s collaborative curatorial projects have focused on raising the visibility of female artists from all fields. Two examples are MAGNA. Feminismus: Kunst und Kreativität. Ein Überblick über die weibliche Sensibilität, Imagination, Projektion und Problematik, suggeriert durch ein Tableau von Bildern, Objekten, Fotos, Vorträgen, Diskussionen, Lesungen, Filmen, Videobändern und Aktionen, zusammengestellt von VALIE EXPORT, 1975 [MAGNA. Feminism: Art and Creativity. A Survey of Female Sensibility, Imagination, Projection, and Problematics, as evoked by a tableau of images, objects, photographs, lectures, discussions, readings, films, videotapes, and actions that was assembled by VALIE EXPORT] in 1975, and Kunst mit Eigen-Sinn. Aktuelle Kunst von Frauen [Art with a Sense of Its Own Self-will: Contemporary Art by Women], initiated by VALIE EXPORT in 1985 and realized together with cocurator Silvia Eiblmayr at the Museum of the 20th Century in Vienna (now renamed Belvedere 21). Both exhibitions continue to constitute milestones in the history of women in art and society.

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Tracey Moffatt [Kunsthalle Wien im Museumsquartier, 10.04. - 07.06.1998 ... Vorarlberger Kunstverein, Magazin 4, 18.07. - 30.08.1998]

Correspondence Unesco Paris [Joel Blocker, M.P. Herzog], VALIE EXPORT

Blocker, Joel; Herzog, M.P.

"BIENNALE" [Notebook]

VEC_BUCH Sujet GOLD_300_1200pxfinal — Journal

Films & filming

Newspaper Clipping

Fremdlinge unter uns

Jeremias, Brigitte

[VEC.002.253] - Kabakov / Was ist eine Installation — Lecture

Kabakov / Was ist eine Installation

VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Briefe an seine Tochter Kerstin

Strindberg, August

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Freud and women

Freeman, Lucy

[VEC.001.508] - SELBSTBILDNIS MIT 2 HOCHHÄUSERN I II [sic!] — Photography (Study, Documentation)

SELBSTBILDNIS MIT 2 HOCHHÄUSERN I II [sic!]

VALIE EXPORT

[VEC.003.882] - [ich habe 1968 mit meinen aktionen begonnen. …] — Artist Statement

[ich habe 1968 mit meinen aktionen begonnen. …]

VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Exhibition Anna & Bernhard Blume, Walter de Maria, Valie Export/Peter Weibel, Gilbert & George, Richard Hoeck, Maria Lassnig, Piero Manzoni, Bruce Nauman, Pino Pascali, Gerwald Rockenschaub, Cindy Sherman, Hartmut Skerbisch, William Wegman, Heimo Zobernig 30. 9. 1994 - 27. 11. 1994 im 20er Haus

[VEC.000.786] - ADA LADY LOVELACE — Synopsis

ADA LADY LOVELACE

VALIE EXPORT

Correspondence Daniela Trastulli, Pio Baldelli, VALIE EXPORT

Trastulli, Daniela; Baldelli, Pio; VALIE EXPORT

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Kunst aus Mailand, München, Wien und Zürich 21.9.-20.11.1983, Städtische Galerie im Lenbachhaus, München

VEC_BUCH Sujet GOLD_300_1200pxfinal — Book

Loys Egg Arbeiten 1973-81 : Museum Moderner Kunst, Wien, Oktober/November 1981 : Galerie Heike Curtze, Düsseldorf, Mai/Juni 1982

Egg, Loys

[VEC.001.551] - YES NO YES NO — Photography (Study, Documentation)

YES NO YES NO

VALIE EXPORT

[VEC.000.001.K] - Bewegte Bilder über sich bewegende Personen — Curation

Expanded Cinema

VALIE EXPORT has been developing Expanded Cinema actions since 1968 which rely equally on an active screen and an active audience, and open up the field of vision through technical resources in such a way that both cinema and the medium itself as an independent entity are dissolved. “Expanded Cinema, the expanded film, was also about using the medium to represent and break up power structures, as they said back then: to decode, to deconstruct.” VALIE EXPORT, “Austria im Rosennetz”, Der Standard, 18.10.1996. The Expanded Cinema 1 showcase assembles materials about cinematic, actionist, and technological reflections on the expanded concept of the screen and provides insights on this artistic field.

[VEC.001.543] - O.T. 11.1. — Photography (Study, Documentation)

O.T. 11.1.

VALIE EXPORT